Things Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194 artworkplay

Things Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194 Kevin Hunt Trio

Album:
Jazz Calls 2019: The Best of Australian Jazz
Release Date:
November 01, 2019
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Album:
Jazz Calls 2019: The Best of Australian Jazz
Release Date:
November 01, 2019
playThings Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194 artwork
Things Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194 Charts History
worldwide
Global chart debut
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worldwide
Highest position in global chart
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worldwide
Most recent chart position
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worldwide
Weeks on global chart
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worldwide
Highest position on Apple Music Chart
#74
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(November 10 2019)
worldwide
Highest position on Spotify Chart
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worldwide
Highest position on Youtube Chart
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worldwide
Highest position on iTunes Chart
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worldwide
Highest position on Radio Chart
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Things Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194 artwork
Things Ain’t (Arrangement inspired by the Aboriginal chant ‘Barrabul-la’ (Wollawarree Bennelong – Wangul clan, 1793, with permission from the Sydney Metropolitan Local Aboriginal Land Council) and ‘Things Ain’t What They Used to Be’ (Mercer Ellington, 194
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