Moscheles, I.: Cello Sonata, Op. 121 - Melodic-Contrapuntal Studies artworkplay

Moscheles, I.: Cello Sonata, Op. 121 - Melodic-Contrapuntal Studies
Ramon Jaffé & Elisaveta Blumina

Gravadora:
Not Available
Data de lançamento:
Janeiro 01, 2003
Gravadora:
Oehms Classics
Data de lançamento
Janeiro 01, 2003
Moscheles, I.: Cello Sonata, Op. 121 - Melodic-Contrapuntal Studies artwork
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#27
Moscheles, I.: Cello Sonata, Op. 121 - Melodic-Contrapuntal Studies Album Songs
1
Cello Sonata in E major, Op. 121: I. Allegro espressivo e appassionato
2
Cello Sonata in E major, Op. 121: II. Scherzo (ballabile): Allegretto quasi allegro
3
Cello Sonata in E major, Op. 121: III. Ballade (in bohmischer Weise): Andantino
4
Cello Sonata in E major, Op. 121: IV. Finale: Allegro vivace, ma non troppo
5
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 1 in C major (from Vol. 1, No. 1)
6
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 2 in D major (from Vol. 2, No. 5)
7
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 3 in G major (from Vol. 1, No. 15)
8
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 4 in E flat major (from Vol. 2, No. 7)
9
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 5 in D minor (from Vol. 1, No. 6)
10
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 6 in B minor (from Vol. 1, No. 24)
11
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 7 in B flat major (from Vol. 1, No. 21)
12
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 8 in D minor (from Vol. 2, No. 6)
13
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 9 in C sharp minor (from Vol. 1, No. 4)
14
Melodic - contrapuntal Studies, Op. 137 (after J.S. Bach's Well - Tempered Klavier): No. 10 in C minor (from Vol. 1, No. 2)
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